From Xingyi and Bagua to Brazilian Jiu Jitsu: The Internal Fighting Arts Podcast Interview with Tim Cartmell.

Tim Cartmell Web
Tim Cartmell

I've known of Tim Cartmell since the 1990s, when he wrote some articles for the Pa Kua Chang Journal. I've never talked with him until now.

Tim moved to Taiwan at the age of 22 to search for internal arts masters. He found some. He didn't just train in Xingyi and Bagua, he fought in a full-contact tournament (his Xingyi teacher signed him up for it). Later, he got into Brazilian Jiu Jitsu and now, he teaches BJJ and is a coach to MMA fighters.

This is the 75th edition of my Internal Fighting Arts podcast. One of the things we talk about in this interview is the subject of Qi, and how much his teachers in Taiwan and China talked about "cultivating Qi" or using it to give you special abilities. Tim says "people who talk about it in a mysterious way -- the less martial ability they have, the more they talk like that. The guys who could actually fight, hardly ever mentioned anything like that."

Tim teaches at Ace Jiu Jitsu in Fountain Valley, California. His martial arts website is www.shenwu.com. 

Listen to the interview here, or you can download the file. 

 

 

 

 


Byron Jacobs' Book "Dragon Body, Tiger Spirit" is a Must for Your Xingyi Quan Library

Dragon Body Tiger SpiritI have known Byron Jacobs for several years now, and I have been a member of his Mushin Martial Culture site on Patreon. He is a truly authentic instructor of Xingyi Quan. He lives in Beijing and is a disciple of DI Guoyong. When Byron published his book this year, "Dragon Body, Tiger Spirit," I was expecting a good book because of his deep experience and clear-eyed view of Chinese martial arts. The result, however, is the best Xingyi Quan book in my martial arts library.

As Byron describes it, "Dragon Body, Tiger Spirit" is "a translation and explanation of the classic texts of Xingyi Quan." He has collected the main writings considered to be Xingyi Quan "classics." Each chapter focuses on a particular classic, including a brief overview of a section of text in traditional Chinese characters. This is followed by a translation of the text. And finally, Byron provides his own commentary on the text. A lot of very good information is obvious in the translations, but it's Byron's commentary that brings each section to life, providing context and the correct way to interpret the information in your Xingyi practice.

I have been practicing Xingyi for 36 years, and teaching for 26 of those. I have won numerous tournament competitions with Xingyi. But I am always open to information that helps in understanding the mechanics, body method and applications of the art. I approach Xingyi, just as I do Taiji and Bagua, as a fighting art. One of the concepts of Taiji as a fighting art is to "yield and overcome." I love Taiji as a fighting art, but I also love Xingyi because it doesn't yield, it simply overcomes. A Xingyi Quan fighter has the eye of the tiger, and when he pounces, he will not be defeated. It is not in his nature to be defeated. That is the mindset of the art. The Monkey form, for example, teaches techniques and movements that "surprise, shock and overwhelm an opponent," according to the book, and it's a perfect description.

The Xingyi that I was taught and have been teaching has a lot in common with the art Byron learned from Di Guoyong, but there are stylistic differences in almost all the various styles of Xingyi, Taiji and Bagua. I try not to focus on the stylistic differences but focus instead on the body mechanics, principles and body method. 

One way I judge a martial arts book is these two questions: did I walk away from the book with new information that can make me better at my art? Does it help me understand my art better? The answer for this book is yes. The writing is clear, the context is clear, and Byron's commentaries are straightforward and based in real-world experience. He illuminates the principles and methods of the art.

After reading the chapter on the Seven Fists, for example, two of my students and I had a great practice working on using the elbows in relation to the concepts of Splitting, Drilling, Crushing, Pounding and Crossing. The Seven Fists of Xingyi Quan include the head, shoulders, elbows, fists, hip, knees, and feet. 

Some of the classics translated and explained in the book, in addition to the "Seven Fists," include "The Five Element Poems," "Yue Fei's Nine Essential Requirements Treatise," "Cao Jiwu's Key Extracts of the Ten Methods," and the "Twelve Animal Poems," among others. I found each one interesting, and I wore out a yellow highlighter as I went through the book, because I didn't just read it. I studied it.

The book also includes biographies of noted Xingyi Quan instructors, starting with the semi-legendary Yue Fei and ending with Di Guoyong.  

I have read other translations of Xingyi Quan classics in the past. They all have something to offer. You can't expect to learn an art like this from a book, so this book won't teach you Xingyi Quan. But if you have or are currently studying Xingyi, "Dragon Body, Tiger Spirit" is a book that will increase your knowledge, inspire your practice, and I believe it will be a reference Xingyi practitioners like me will be consulting for a long time to come. 

Last week, I interviewed Byron about the book for the next edition of the Internal Fighting Arts podcast. I am in the process of editing and it will be online this week. I'll replace this paragraph with a link to the podcast when it is ready.

by Ken Gullette


Taking Ground is an Important Skill in Xingyiquan

One of my students around 2006 was a police officer and a member of his department's S.W.A.T. team.

During our Xingyi classes, we trained the fist postures, how to use them in self-defense, and we worked on taking ground.

In Xingyi, the goal is to drive through your opponent like a bowling ball through bowling pins, and when the attack is over, you are standing on his ground. It is physically and psychologically damaging.

So my student responded to a standoff situation one day. The perp was across the living room. At the right moment, my student lunged across the room using the same technique in this video and he took the perp down using Pi Chuan (Splitting Palm). 

While he was being cuffed, the perp looked up and asked, "How did you do that so fast?"

Nobody expects you to take ground, keep your energy down and deliver power over seven to ten feet. When I was in my forties, I could take ground over a distance of eleven feet. Now, at age 68, I can't do that. But the drill in this video is very helpful if you want to develop this skill.

You can improve your ability to take distance. If you learn to deliver power from eight to ten feet away, you will plow through somebody who is four or five feet away like hitting them with a bus.

I am wearing a hand protector in this video because, being on blood thinners after developing clots in my lung six months ago, I can't exactly risk internal bleeding in my fist when doing bare-knuckle board breaks. That's why I am wearing a pad. I leave the bare-knuckle stuff to the young guys.


41 Years Teaching Internal Arts in the Big Apple - The Internal Fighting Arts Podcast Interview with Frank Allen

Frank Allen
Frank Allen

I love to interview dedicated martial artists.

The latest Internal Fighting Arts podcast features an interview with Frank Allen, a veteran internal arts instructor whose school, Wutang Physical Culture Association, located on the Lower East Side of New York City, is celebrating its 41st year in business in 2020.

Frank Allen began studying the same year I did -- 1973.

Frank is a Master lineage holder in Classical Northern Wu Style Taijiquan through his teacher, Grandmaster Li Bing Ci, and a Master lineage holder in Classical Cheng Style Baguazhang through his teacher, Grandmaster Liu Jing Ru.

His other instructors have included B.P. Chan and Bruce Frantzis.

Together with Tina Chunna Zhang, Frank Allen has written books including "The Whirling Circles of Ba Gua Zhang," and "Classical Northern Style Wu Taijiquan."

Frank, Tina and the Wutang Physical Culture Association were featured in their documentary, which you can see on Amazon Prime Video, called "Tai Chi Club." It is an outstanding and moving documentary.

I have always wanted to interview someone who has studied personally with Liu Jing Ru. Frank tells colorful stories of his training.

You can use Audello to listen to the interview online or download the file by clicking this link.

You can also listen or download through Podbean by clicking this link.

Or click Play on the Stitcher link below. The podcast is also available on Spotify, Apple Podcasts, and other distributors. Subscribe today!

 

 

 


Loading the Rear Leg - An Important Skill in Xingyiquan

An important concept in Xingyiquan is to take your opponent's ground.
 
Xingyi is not really a defensive art. The goal is not to take an opponent's energy and neutralize it. The purpose of Xingyi is to drive through your opponent like a bowling ball through bowling pins.
 
Loaded Stance 1Xingyi is aggressive. It takes no prisoners.
 
But to take ground, you need to build leg strength by practicing taking ground. Step one in that process is to "load" the rear leg.
 
Take a look at the three images in this post.
 
In the first image, I am standing tall. If I had to spring forward, it would be difficult.
 
In the second image, I am loaded into a Xingyi fighting stance. My energy is "sunk" and I am ready. Notice how I am compressed into the rear leg. It is like a spring, ready to release. And my energy is forward, not backward.
 
In the third image, I am springing forward to strike with Beng Chuan.
 
As soon as I land, I will load the rear leg again.
 
Loaded Stance 2Taking ground is not just for Xingyi. Lively footwork and taking ground is important in Taiji and, of course, in Bagua. There are always movements that take ground. When you are fighting multiple opponents, and you become the wire ball that they punch into, you must be close to them.
 
You can practice taking ground like this:
 
** Mark your distance. Start from the same spot.
 
** Load the leg and spring out as far as you can. Mark the spot.
 
** Maintain your balance. Do not land with your energy over-committed forward, or leaning forward or to the side. Keep working on it until you can spring out and finish in a solid, balanced San Ti stance.
 
** Go back to where you started and try again. Try to get a little farther this time. Keep repeating to build strength and to increase your distance. It will build your leg strength and your explosive ability to take ground.
 
Loaded Stance 3In the Xingyi section on the website, there is a video that shows this and another good exercise for building leg strength and "taking ground."
 
Psychologically, it is damaging to your attacker when you knock him off the spot where he is standing. That is one of the key goals of a Xingyi fighter.
 
And just as important -- if you are ever in a self-defense situation, you can really surprise someone if you can cover a lot of ground quickly.
 
One of my students was a police officer in Bettendorf, Iowa. He found himself in a living room, with a violent offender across the room threatening him. Before the offender knew it, my student lunged across the room with the "taking ground" principles we had practiced, and he put the criminal down with Pi Chuan (Splitting Palm).
 
When the criminal was cuffed, he looked at my student and said, "How did you get to me so FAST!"
 
My student the cop called to tell me how proud he was that he used Xingyi in a real situation. It would not be the last time.
 
These arts work. 
 
Check out the highly-detailed Xingyi (Hsing-I) instructional DVDs on the right side of the blog page. Free Shipping Worldwide and a Money-Back Guarantee. Also, buy Two DVDs and receive a Third DVD FREE!

Learning from a Traditional Xingyi Teacher -- the Internal Fighting Arts Podcast Interview with Jon Nicklin

Jon-Nicklin-Dai-Xueqi 2
Xingyi Master Dai Xueqi and Jon Nicklin

There are a lot of commercial martial arts schools in China, but according to my most recent guest on the Internal Fighting Arts podcast, Jon Nicklin, the best kung-fu teachers in China are "traditional" teachers.

Most traditional teachers teach small groups of dedicated students. They teach at their homes, or in nearby fields or parks.

If you want the real goods, you have to develop a personal relationship with the teacher. Most of the large groups practicing in the public parks in the big cities are "follow me" classes, where instruction is superficial.

Jon Nicklin moved from London to Shanghai several years ago and quickly found Dai Xueqi, the leading instructor of Song style Xinqyiquan in Shanghai. 

Dai Xueqi is a business owner, so most of his teaching is done at or near his home on Saturday and Sunday mornings.

I love talking with dedicated martial artists who go to great lengths to study these arts. Jon Nicklin is one of those people.

You can listen to his interview -- the 44th edition of the podcast -- through Apple Podcasts, Spotify, Audello, and other podcast services.

Here is a link to the podcast on Stitcher. You can listen on your computer or download the file. Please share this with others who might be interested.

https://www.stitcher.com/podcast/internal-fighting-arts/e/63283949?autoplay=false

 


Using Internal Principles in Grappling -- How to Escape a Clinch

Can Tai Chi, Xingyi or Bagua be used against a grappler?

A lot of macho types say no, but that's because they do not understand the internal martial arts.

Tai Chi has been slandered, maligned and unfairly criticized during the past year or two because a couple of people who claimed to be Tai Chi "masters" (they are not masters) had the stupidity to take on a trained MMA fighter and they lost. Badly.

I had a Wing Chun guy come into my school once and he wanted to spar full-contact. I told him we didn't do that, but we would gladly spar with him and do light contact. We hit him in the face anytime we wanted. My top student and I both tried him out. It was pitiful, but I did not judge Wing Chun based on this guy.

The internal arts have principles and body mechanics that work if you follow them, just like any art. Sometimes, you simply have to fight. That includes punching. But sometimes, you use body mechanics to take advantage of your opponent's force or to break his structure.

This past Wednesday night at practice, three students -- Justin Snow, Colin Frye and Chris Andrews -- worked with me as I demonstrated how to escape from a clinch. We had a good time playing with this.

Justin and Chris are both around 300 pounds. They are strong guys, around 30 years old. They have experience fighting. Real fighting.

I am 65 with one lung, heart issues, and I lost a lot of muscle mass when I got sick 9 years ago. 

They still can't hold me in a clinch if I use internal principles. And I can't hold them, either.

We had fun playing with this. Enjoy the video and I hope you learn from it. And remember, 850 video lessons and pdf downloads are available 24/7 on my membership website at www.internalfightingarts.com. Check it out.

 

 


New Book by Ken Gullette - Internal Body Mechanics for Tai Chi, Bagua and Xingyi

Book CoverI believe this is the first time that someone has tried to organize and teach, step-by-step, the fundamental body mechanics that are required for high-quality Tai Chi, Bagua and Xingyi. I have seen at least one book titled "Body Mechanics," but it did not discuss body mechanics. After 31 years of studying these arts and 21 years of teaching them, I decided to write a book that is clear on this topic.

Body mechanics for Tai Chi, Bagua and Xingyi are much more than simple directions such as "turn your foot out 45 degrees and relax."

I have included 250 photos and clear, straightforward descriptions in this book. I am confident you will have several "Aha!" moments about internal body mechanics when you read it. If it does NOT teach you anything important, or give you insights that help you in your internal arts journey, send the book back to me and I will refund your money.

Basically, I wanted to write the book that I wish I had when I began studying the internal arts back in 1987. If I was able to read it back then, it would have saved me many years and thousands of dollars in class fees. Based on some of the martial artists I have met during the past 20-something years, I know there are millions of internal arts students who are not learning these skills.

The six fundamental body mechanics for internal power include:

** Establishing and maintaining the ground path at all times.

** Using peng jin at all times along with the ground path.

** Using whole-body movement -- when one parts move, all parts move.

** Silk-Reeling "Energy" -- the spiraling movement that adds power to techniques.

** Dan T'ien rotation -- guiding the internal strength and power as the body moves.

** Using the kua properly -- opening and closing the kua, like a buoy in the ocean, helping the body stay balanced as incoming force changes.

Each of these body mechanics represents a physical skill -- NOT metaphysical. You can "imagine chi" for the rest of your life and still not be able to develop real power in your Tai Chi, Bagua or Xingyi. It takes hard work and practice -- real study -- to move with internal power in these arts. When a teacher does not know the body mechanics, it is much easier to make students think that "cultivating chi" is the goal. It is not the goal. 

The intent of Tai Chi, Bagua and Xingyi is self-defense. You can practice for health and meditation if you want, but unless you understand the body mechanics and the way the movements are used to defend yourself with relaxed power, you are not studying the complete art.

The book does not attempt to explain the history of the internal arts, much of which is lost in the mists of time and usually results in political squabbles among different factions within the arts, much like different denominations or sects will argue over religion.

I also do not use abstract wording that confuses more than it clarifies. 

Instead, I try to get right to the point, as I do in my teaching, writing in a straightforward way that attempts to strip away the mystical mumbo jumbo. Along the way, I try to deliver a few good heel kicks to some pillars of mythology that stand in the way of many students. 

I first heard about these body mechanics from Mike Sigman, through his online discussions and his videos. Through his online forum, I was guided to instructors Jim and Angela Criscimagna, living at the time in Rockford, Illinois, a couple of hours from my home. I became their student, and through them and another teacher I had later, the late Mark Wasson, I was able to learn from Grandmaster Chen Xiaowang, Grandmaster Chen Xiaoxing, Ren Guangyi and Chen Bing. I have also learned from Chen Ziqiang and Chen Huixian.

I began studying martial arts in 1973 at age 20, and I also practiced with the Iowa State University boxing team when I was 39 and 40 years old, when I was "adopted" by Coach Terry Dowd and the young boxers on the ISU team. I began studying the internal arts in 1987, and three years later, I won a gold medal performing the Yang 24 form in Tai Chi competition at the 1990 AAU Kung-Fu National Championships. I won more medals than any other competitor in the championships -- six medals in all, for Tai Chi, Xingyi, Bagua, and sparring. I thought I knew the internal arts, but years later, after learning the body mechanics I describe in this book, I realized that not only did I not understand internal body mechanics, neither did the judges. I was probably the best of a bad group of students who were doing external, muscular arts but calling them internal.

As I taught Tai Chi, Xingyi and Bagua beginning in 1997, as the Internet was becoming popular, I was reading Mike Sigman's online forum and realized there were holes in my knowledge. A few months later, I met Jim and Angela, and realized that what I had learned and practiced during the previous decade was empty. Over time, I identified the six key body mechanics that are basic to good internal Chinese gongfu. This book offers information on these skills that your teacher may not have taught you.

A few years ago, Kiefen Synnott wrote to me and said, "I live in Japan and study Baguazhang and Xingyiquan, but the language barrier makes me miss some of the meaning. Your training has filled in the gaps and has been responsible for most of the progress I have made so far."

Another martial artist who lives in Shanghai wrote to me that he was "amazed at how few instructors here know the body mechanics." 

The book is sold in the U.S., the UK and Europe through Amazon. It is available for Prime shipping. If you are in the UK or Europe, please go to Amazon and search for "Internal Body Mechanics." In Australia or other parts of the world, you may be able to order it through bookstores.

If you are in the U.S. you can order the book directly from me on this blog.

There is Free Shipping within the U.S. (Sorry, due to high shipping fees, Ken cannot mail the book internationally). BONUS -- If you buy this book plus a DVD from this site, you may select another DVD free of charge as a bonus (just email Ken with your selection for the bonus DVD). 

Order the Book Now with Free Shipping - U.S. Customers Only 


A Chen Pan Ling Lineage: the Internal Fighting Arts Podcast Interview with Dan Djurdjevic

Dan Djurdjevic and Chen Yun Ching
Dan Djurdjevic (standing) with his teacher Chen Yun Ching.

One of the things I admire about the guests on my Internal Fighting Arts podcast is the determination they have, and the pains they go through, to learn and to develop their martial arts skill.

The latest interview -- with Dan Djurdjevic -- is no exception. Dan is considered by his teacher, Chen Yun Ching, to be a master instructor in the style of Chen's father, Chen Pan Ling.

Dan lives and teaches in Perth, Australia. He and his brother have a school in Perth called Traditional Fighting Arts and he has an excellent blog called "The Way of Least Resistance."

This wide-ranging interview touches on subjects including the teaching style of Chen Yun Ching and modern-day self-defense.

As an attorney with experience as a prosecutor, Dan has an interesting angle on self-defense. The section on "flipping the script" is outstanding; a tactic that every martial artist needs to hear.

Click this link to listen to the podcast on Audello, or to download it to your hard drive.

You can also listen to the Internal Fighting Arts podcast and subscribe to it on iTunes.

 

 


Jeet Kune Do Instructor Tim Tackett -- the Internal Fighting Arts Podcast Interview

Tim TackettLast summer, I was looking through my martial arts library and I ran across a couple of old Hsing-I books written by Tim Tackett in the '70s and '80s.

I thought, I wonder if he is still alive. In all these decades, I never made the connection between this Tim Tackett and the one who co-authored a couple of great books on Jeet Kune Do.

So I did some Google research and realized it was the same guy as the Jeet Kune Do instructor. I sent him an email and he agreed to an interview for the Internal Fighting Arts podcast.

I've always had a lot of respect for JKD. I studied "The Tao of Jeet Kune Do" cover-to-cover back when it first came out in the original hardbound version in 1975 and tried to adapt some of the techniques and philosophies. 

As I got older, attacking on recovery and between my opponent's punches (I believe in JKD that is on the "half beat") became essential to winning tournament sparring matches.

Tim Tackett began studying kung-fu while living in Taiwan in the early '60s. He was an early pioneer when most Americans Tim Tackett 4had no clue what kung-fu was about. He received his senior instructor certification from Dan Inosanto in 1973.

He co-authored a couple of great JKD books and he has written a couple on his own. At age 75, he still teaches a Wednesday night class in his garage in Redlands, California.

It is my honor to present this edition of the Internal Fighting Arts podcast, featuring an interview with Tim. Follow this link to listen online or download the file -- Tim Tackett interview on Audello.

Use this link for the Tim Tackett interview on iTunes.