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Chen Huixian - A Tai Chi Jewel Living and Teaching in the United States

Chen Huixian and Ken Gullette
Chen Huixian and Ken Gullette in Madison, 2018

If you have been reading this blog since I began writing it in 2006, you know that I do not put teachers on pedestals.

I look at martial arts masters as people, not gods. I do not worship them. I do not want them to be a parental figure. All I want to do is learn from them and support their efforts.

And so I hope it means something to you when I tell you there is a jewel of Taijiquan that is shining here in the United States and, in my opinion, the best Taiji instructor that I have met. For most of the people who have studied Chen Taiji in America, it is an undiscovered jewel.

This past weekend, I attended another workshop by Chen Huixian, who lives and teaches with her husband Michael Chritton in Overland Park, Kansas, which is part of the greater Kansas City area. Michael met her when he was training in the Chen Village under Grandmaster Chen Zhenglei. They eventually married and she moved with Michael back to Overland Park.

How lucky that was for Michael. And how lucky it was for us.

Michael was the very first guest on my podcast, and he told of how their relationship developed. It is a great story. Here is a link to the podcast.

Huixian grew up in the Chen Village and is the niece of Chen Zhenglei, Chen Xiaowang and Chen Xiaoxing.

So we have a member of the Chen family living and teaching in the United States. And she speaks English.

This means we do not have to go all the way to China, or wait for the men to visit here to get high-quality Chen taiji training. All we have to do is either go to Overland Park or sponsor Huixian for a workshop.

I have trained with Chen Xiaowang, Chen Xiaoxing, Ren Guangyi, Chen Ziqiang and Chen Bing. Each of these teachers are outstanding, and I have enjoyed my experiences with them. But here is a little secret. Don't tell anyone, but I would rather learn from Chen Huixian than any of them.

She does not need an interpreter to explain the details, the concepts, the mechanics, the applications and the philosophy behind the movements of Taiji. She is genuinely interested in the people she meets, she is funny, and a very generous teacher, willing to answer any question.

Chen Huixian
Chen Huixian teaching "Cannon Fist."

Patrick Rogne, of Ancient Root Taijiquan in Madison, Wisconsin, sponsored last weekend's workshop with Chen Huixian. It was held at Orthdx Natural Fitness. I attended one of her workshops in Madison five years ago, then again last year. 

When I first attended her workshop in 2013, Huixian and Michael gave me corrections that no one else had given me, including advice on maintaining peng jin that I felt took me a step forward instantly.

She also gave me an insight into the use of the kua that illuminated this important part of internal body mechanics.

This past weekend, we did three hours on Friday night, focusing on the final few movements in Laojia Yilu that we rushed through at the end of last year's workshop. 

We started with Punch the Crotch, which involves folding the arms, kicking the palm, turning and punching downward.

Huixian gave more detail in these movements than I ever received from Xiaowang or Xaoxing, and she gave it in English. As she demonstrated, coached, explained and corrected in detail, the quality of her teaching slapped me like the flat edge of a kuandao. 

I am 65 now, and with one lung and a heart issue, my legs were screaming for mercy when I got to my hotel room Friday night. I was so exhausted, I wondered if I would be able to last the weekend. Eating bitter with a member of the Chen family reveals how easy we take it on ourselves in our own practice, and after only three intense hours, I was feeling it.

Chen Huixian application
Chen Huixian demonstrates an application - Part 1.

On Saturday and then Sunday morning, we spent a total of nine hours on Laojia Erlu, also known as "Cannon Fist." It has been one of my favorite forms for a dozen years, but this time, I was looking at it through Huixian's perspective, which is closer to the way Chen Zhenglei does it than the way Chen Xiaowang does it.

I had to rewire my brain and do a few movements differently than I had been accustomed to doing them for so long, but at the same time, I caught nuances in the body mechanics, the turning, the movement of the hands and feet that will add depth to my form, explained in detail.

I also received good postural corrections.

Five years ago, when I first met Huixian and Michael, she was coaching us through a movement in Laojia Yilu and I was concentrating. When I do that, I sometimes look a bit downward as I ponder the body mechanics of a movement.

As I looked downward, from across the floor Huixian shouted, "Ken! The answer you seek is not on the ground."

Chen Huixian
Unbalancing the opponent and using a leg hook - Part 2.

I cracked up, and for the past five years, I have been repeating that to myself when I catch my head tilting forward or looking down. And she taught me that lesson with humor.

In fact, laughter is common in her classes. She is dead serious about the art, but she sometimes jokes, and of course, I have always enjoyed laughter in everything I do, so I tend to crack an occasional joke to lighten the atmosphere. 

Michael said on the podcast that when he first saw her practicing in the Chen Village, it seemed that anytime he heard laughter, she was in the middle of it. 

On Saturday, late in the day, when our legs were burning and aching, she asked the class, "Are your legs hurting anywhere?"

"Everywhere," I said loudly, and she almost doubled over laughing along with the class.

It is a lot easier to eat bitter when you can cleanse the palate with humor.

Watching her do movements from Cannon Fist is a treat. Her grace, her relaxed strength, and her explosions of fajin won the admiration of everyone in the workshop.

On Saturday evening, there was a group dinner at the Nani Restaurant in Madison. Huixian talked about a wide range of subjects, including her children and life in the Chen Village. She asked about my children, and she figured out that she is three months younger than my youngest daughter. That was a profound shock to me.

Chen Huixian
The leg hook works - Part 3.

I was in good shape and energized until I landed back in my room. I sat down and posted some pictures on Facebook, then stood up. My thigh muscles clenched. "Oh, hell no," they screamed at me. 

We finished Cannon Fist on Sunday morning, with a lot of fajin in the fist and elbow strikes. On Sunday afternoon, we spent the final hours of the workshop on push hands. Near the end, we got into some applications and Huixian started throwing some of the guys who were almost twice her size, showing them how a bump can unbalance your opponent, then you can step in and uproot him, then turn and throw him. 

When a man is thrown by a woman, it is interesting to watch their faces when they hit the ground and begin standing up. With each one, you could see the respect and realization in their faces, each one not only impressed with the way she threw them, but you could also see the light bulbs going off after they were able to feel the way she did it.

I hated to say goodbye on Sunday afternoon.

I have studied with several teachers over the past 45 years. I do not believe I have met a better teacher than Chen Huixian. 

Sometimes we get a bit tribal in the martial arts, just as we do in politics. Sometimes martial arts become political. Oh, I can't study with this teacher because I study with THAT teacher. I'm in THIS style, so I can't study THAT style.

An open-minded Wu stylist who attended this workshop from Detroit told me, "I have never seen this level of personal corrections in any workshop. She is excellent." 

Before I attended my first workshop with her in 2013, my main taiji teachers and the Chen masters I had learned from had been men, and it was only natural, given our society and the culture I grew up in, that I wondered how good a woman would be, and since I adhered a bit to the Chen Xiaowang/Xiaoxing way of doing things, would it matter that her "side" of the Chen family added different flourishes to the movements? Each of the "Four Tigers" of the Chen Village (Chen Xiaowang, Chen Zhenglei, Wang Xian, and Zhu Tiancai) add their own artistic touches to the forms.

Any reservations I had vanished quickly five years ago. The quality of her taiji and the concepts, principles and mechanics she teaches transcends style and teacher. She won my immediate respect and it has only grown since.

I still feel the same as I always have about putting teachers on pedestals, but Chen Huixian deserves every bit of respect and recognition that the men in the 20th generation of the Chen family receive, and regardless of who you "follow" in taiji, if you live in the U.S. you have a Chen family member here of tremendous value, willing and able to share -- and more importantly TEACH -- her family's art with skill, power, and an unpretentious, fun personality that makes every moment a pleasure.

-- by Ken Gullette

Chen Huixian's website is www.kctaiji.com. 


Review of My Book "Internal Body Mechanics" by Graham Barlow, Tai Chi and BJJ Practitioner

Book CoverGraham Barlow practices Yang Tai Chi and BJJ. He also  practices Xingyi and Choy Lee Fut.

Graham has written a review of my new paperback book, "Internal Body Mechanics for Tai Chi, Bagua and Xingyi." The review is on his blog, the Tai Chi Notebook.

I invite you to read it. Here is a link to the review:

https://taichinotebook.wordpress.com/2018/08/20/book-review-internal-body-mechanics-for-tai-chi-bagua-and-xingyi-by-ken-gullette/

The book is available on Amazon in the U.S., the UK and Europe. You can also order it through bookstores. One of my website members living in Shanghai ordered it through Barnes & Noble.

Find the links on ordering it in the U.S., Canada, the UK, Europe, and Australia by going to this page on my website.

 


New Book by Ken Gullette - Internal Body Mechanics for Tai Chi, Bagua and Xingyi

Book CoverI believe this is the first time that someone has tried to organize and teach, step-by-step, the fundamental body mechanics that are required for high-quality Tai Chi, Bagua and Xingyi. I have seen at least one book titled "Body Mechanics," but it did not discuss body mechanics. After 31 years of studying these arts and 21 years of teaching them, I decided to write a book that is clear on this topic.

Body mechanics for Tai Chi, Bagua and Xingyi are much more than simple directions such as "turn your foot out 45 degrees and relax."

I have included 250 photos and clear, straightforward descriptions in this book. I am confident you will have several "Aha!" moments about internal body mechanics when you read it. If it does NOT teach you anything important, or give you insights that help you in your internal arts journey, send the book back to me and I will refund your money.

Basically, I wanted to write the book that I wish I had when I began studying the internal arts back in 1987. If I was able to read it back then, it would have saved me many years and thousands of dollars in class fees. Based on some of the martial artists I have met during the past 20-something years, I know there are millions of internal arts students who are not learning these skills.

The six fundamental body mechanics for internal power include:

** Establishing and maintaining the ground path at all times.

** Using peng jin at all times along with the ground path.

** Using whole-body movement -- when one parts move, all parts move.

** Silk-Reeling "Energy" -- the spiraling movement that adds power to techniques.

** Dan T'ien rotation -- guiding the internal strength and power as the body moves.

** Using the kua properly -- opening and closing the kua, like a buoy in the ocean, helping the body stay balanced as incoming force changes.

Each of these body mechanics represents a physical skill -- NOT metaphysical. You can "imagine chi" for the rest of your life and still not be able to develop real power in your Tai Chi, Bagua or Xingyi. It takes hard work and practice -- real study -- to move with internal power in these arts. When a teacher does not know the body mechanics, it is much easier to make students think that "cultivating chi" is the goal. It is not the goal. 

The intent of Tai Chi, Bagua and Xingyi is self-defense. You can practice for health and meditation if you want, but unless you understand the body mechanics and the way the movements are used to defend yourself with relaxed power, you are not studying the complete art.

The book does not attempt to explain the history of the internal arts, much of which is lost in the mists of time and usually results in political squabbles among different factions within the arts, much like different denominations or sects will argue over religion.

I also do not use abstract wording that confuses more than it clarifies. 

Instead, I try to get right to the point, as I do in my teaching, writing in a straightforward way that attempts to strip away the mystical mumbo jumbo. Along the way, I try to deliver a few good heel kicks to some pillars of mythology that stand in the way of many students. 

I first heard about these body mechanics from Mike Sigman, through his online discussions and his videos. Through his online forum, I was guided to instructors Jim and Angela Criscimagna, living at the time in Rockford, Illinois, a couple of hours from my home. I became their student, and through them and another teacher I had later, the late Mark Wasson, I was able to learn from Grandmaster Chen Xiaowang, Grandmaster Chen Xiaoxing, Ren Guangyi and Chen Bing. I have also learned from Chen Ziqiang and Chen Huixian.

I began studying martial arts in 1973 at age 20, and I also practiced with the Iowa State University boxing team when I was 39 and 40 years old, when I was "adopted" by Coach Terry Dowd and the young boxers on the ISU team. I began studying the internal arts in 1987, and three years later, I won a gold medal performing the Yang 24 form in Tai Chi competition at the 1990 AAU Kung-Fu National Championships. I won more medals than any other competitor in the championships -- six medals in all, for Tai Chi, Xingyi, Bagua, and sparring. I thought I knew the internal arts, but years later, after learning the body mechanics I describe in this book, I realized that not only did I not understand internal body mechanics, neither did the judges. I was probably the best of a bad group of students who were doing external, muscular arts but calling them internal.

As I taught Tai Chi, Xingyi and Bagua beginning in 1997, as the Internet was becoming popular, I was reading Mike Sigman's online forum and realized there were holes in my knowledge. A few months later, I met Jim and Angela, and realized that what I had learned and practiced during the previous decade was empty. Over time, I identified the six key body mechanics that are basic to good internal Chinese gongfu. This book offers information on these skills that your teacher may not have taught you.

A few years ago, Kiefen Synnott wrote to me and said, "I live in Japan and study Baguazhang and Xingyiquan, but the language barrier makes me miss some of the meaning. Your training has filled in the gaps and has been responsible for most of the progress I have made so far."

Another martial artist who lives in Shanghai wrote to me that he was "amazed at how few instructors here know the body mechanics." 

The book is sold in the U.S., the UK and Europe through Amazon. It is available for Prime shipping. If you are in the UK or Europe, please go to Amazon and search for "Internal Body Mechanics." In Australia or other parts of the world, you may be able to order it through bookstores.

If you are in the U.S. you can order the book directly from me on this blog.

There is Free Shipping within the U.S. (Sorry, due to high shipping fees, Ken cannot mail the book internationally). BONUS -- If you buy this book plus a DVD from this site, you may select another DVD free of charge as a bonus (just email Ken with your selection for the bonus DVD). 

Order the Book Now with Free Shipping - U.S. Customers Only